Originally, practice pages were intended to strengthen a calligrapher’s hand and instill discipline through the repetition of letters or groups of letters. They emerged as a popular art form after the sixteenth century in a fascinating manifestation of calligraphic abstraction. Generally devoid of meaning, mashq pages are meant to be enjoyed solely for their aesthetic merits. Many were set into borders, placed into albums, and exchanged as gifts. This example epitomizes the creative spirit of this genre.